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  I liked the honesty and truthfulness of the story; I liked the understated quality of the emotions, and I particularly appreciated the simplicity and directness of the prose style.
 
  -- Amitav Ghosh     
 

 
  okay, this is belated, I was to have completed this like 6 months back, but I'm guessing Prof. Bagchi won't mind. After all, like his mouthpiece Rindu (oh, the Insti nicknames...), he knows how refined procastination can get as an art-form. To come to the point, the book rocks, and rocks big time, like the bands Rindu talks about so wistfully, and yet with a little condescendation hidden somewhere in his mind. This is a starkly realistic book on IIT, on dreams, on the process of transition that makes a man out of a boy, and the pain that must be borne if that transition is to occur. The chapters are like short stories, each complete and invulnerable in its own universe, and yet, when you read the book, you understand that the whole is infinitely greater than the sum of the parts, and the microcosm of Arindam's existence is, as a whole, vulnerable to changing times, ambitions, and modus operandi. I love the way Prof. Bagchi has avoided the typical "school-story" cliches that seem to dominate this genre: the intelligent yet idealistic young professor, the brilliant and research-oriented "bad boy" who refuses to slog, the "dates" with a sweet young dimwit who has enough brains to paint her toenails, but not more. The chracters in this book are people that I've met in my own IIT days, interacted with, been buddies with.... I would demand a sequel, with Arindam in the US. Come on, Prof. Bagchi.Give us more.
 
  -- Abhinandan Banerjee     
 

 
  this book was a very nice read. i loved the way it flew. while it does give a feeling that the whole book was rather a compilation of stories the book still holds on to it being a one complete story. being an engineer i loved it as it actually reflects what ultimately matter no matter u are from an IIT or non-IIT. i would appreciate though if amitabh could include some of his interactions with juniors. something i feel is a bond we share over 4 yrs at a place..
 
  -- SANKETH KOKA     
 

 
  There is something deeply satisfying when a book catalogs the backdrop of your own life. Especially if the book is well written. Before finding Above Average I would point people to various books about India and tell them that the book was interesting but the India described there was as 'alien' to me as it would be to them. They would look at me oddly. I suspect that you have to be Indian, to really understand the complex web of worlds with in worlds that somehow co-exist without intersecting. Above Average is a significant addition to modern Indian literature. I don't just say that because it features my erstwhile bus route . Being able to see ourselves in the context of the mirror it holds up is possibly the first step towards the future. It is not just my non-Indian friends who need a book to understand where I am coming from. Anyone from any of the multitudes of con-existing non intersecting spheres that make up India - would read this book just the way I read those other books. They would find it interesting and yet alien. They would likely walk away from it with a truer understanding of India.
 
  -- maya     
 

 
  Excerpted from The New Ramanujan's blog:
And more specially, this book is about da subtle chemistry dat flows among friends, especially in the college-hostel life. Probably dat is why I can connect with da characters.
Click here to read the entire blog entry.
 
  -- the new ramanujan     
 

 
  Excerpted from Captain Subtext's blog
It's even more interesting because it's written by someone who teaches at IITD now. It took me a long time to realise that Professors are human beings too, who have a life beyond the classrooms, labs and their offices. I still tend to forget that at time. We don't have labs at my present college though.
Click here to read the entire blog entry.
 
  -- Captain Subtext     
 

 
  Excerpted from Teleute's blog
For a couple of days after reading this book, I longed to have gone to an IIT. In fact I sat and idly fantasized about taking the JEE again after I'm done with my Masters.
Click here to read the entire blog entry.
 
  -- Teleute     
 

 
  Excerpted from Maya's blog
There have been other books about the IIT experience. And like most  other reviewers, I like this one better.
Click here to read the entire blog entry.
 
  -- Maya     
 

 
  Excerpted from Swayamsiddha's blog:
Romance in the novel works as the subliminal force ....isnt thats how it is in college...I guess that is reason why its such a rivetting read... you are spared the sickening embrace of love and infatuation ..which suffocates you no end in some of the avante garde novels written on similar lines...
Click here to read the entire review.
 
  -- Swayamsiddha Das     
 

 
  Excerpted from Rimi B Chaterjee's blog:
In this book, you can tell the author cares about his story and its meanings, and he’s not just telling it to entertain (or sell humungous print runs).

I have a feeling that Bagchi’s book will last, while Bhagat’s might not. Bhagat’s book is not ambitious; it does what it sets out to do very competently and in that sense is more successful than Above Average. But it doesn’t remain in your mind. This one does.
Click here to read the entire review.
 
  -- Rimi B Chaterjee     
 

 
  In a nutshell, "Above Average" is a fantastic book well worth reading. So many things about the title character Arindam ring true: I genuinely feel that Bagchi has captured the frustration many a young scholar who feels isolated and cut-off from the outside world can feel. The research struggle rings true, too, especially the naive and giddy excitement the young students have on hitting upon what they think is a finding of great insight only to have their bubble burst by a more experienced professor. The computer scientist in me loved the references to arcane corners of the subject and was really glad they are present, all of this fits beautifully well into the narrative without overwhelming it one bit.

Many of the other characters, even the ones in negative roles, have been excellently constructed too and ring very true. Some have commented on their seeming two-dimensionality but to me this always read as representing the way Arindam saw them in his interactions with them as opposed to just how the author viewed them. Neeraj, Rocksurd, Meena, even the bullying and churlish Kanitkar are all prime examples of perfectly-cast characters.

Further, I also really liked the references - pointers, really - to characters and events that would be fleshed out more fully further on in the narrative. This is a great touch that makes the narrative seem more coherent as a whole. Finally, I don't really understand the marketing of this as an IIT novel, but if it's sold more copies and spread awareness, no reader can really complain. "Above Average" really reads far more like a Delhi novel, that too a lived-in Delhi with all these markets and nooks and crannies and areas and colonies, not so much a historical or legendary/mythical city. It's a pity that many of the reviews I can find online (helpfully linked to from the book's website) seem to miss this. It's almost as if certain reviewers feel they have to dump on anything IIT-related. I'm neither from Delhi nor did I attend an IIT and yet so much of this book resonates so powerfully.
 
  -- Sunil Rao     
 

 
  Excerpted from Puneri's blog:

The honesty in the narration and the humor in even sad situations makes it a very enjoyable read. And you really don't have to be an IITian to get the book.
Click here to read the entire blog entry.
 
  -- Puneri     
 

 
  Excerpted from Ajit Sharma's blog at bookworldcentral.com:

If you have ever felt the desire to be some one in your life then this book will find an instant connect with you, because its all about growing up, fighting to be the best, well almost the best :-).
Click here to read the entire review.
 
  -- Ajit Sharma     
 

 
  Excerpted from Venu Vedam's blog:
The book has a non linear narration which seems absurdly random at times but a careful reader will be able to appreciate the jumps in the thought process of the narrator. It is the USP of the book. The book also describes the campus life in a much better manner compared to FPS.
.....My rating: Above Average :)
Click here to read the entire review.
 
  -- Venu Vedam     
 

 
  Excerpted from Anupam's blog:

And there are lines which completely leave you in a mist of awe. You are left with nothing but appreciating the beautiful way they have been penned down.
Click here to read the entire blog entry.
 
  -- Anupam Hyanki     
 

 
 

Excerpted from the blog Between Friends:

To identify with the story, the plot.... one need not be from IIT, or an engineer for that matter (though for this breed it's a life they know, they have seen, they are living!!)...... one just needs to be human.

Click here to read the entire blog entry. (Warning: contains plot spoilers.)

 
  -- Sam     
 

 
  Excerpted from Madhur's blog:

In terms of clarity and detail, I would compare Amitabh with the stand-up comedian Raju Shrivastav. Amitabh has used each and every detail specially around IIT life to create humour which makes you laugh or feel pity on IITians at times.

Click here to read the entire blog entry.
 
  -- Madhur Dixit     
 

 
  Excerpted from Neha's blog:
But I think if one can't enjoy Mr. Bagchi's writing style, the book may turn out to be somewhat unsatisfactory. I thoroughly did. And to be honest, I think this is the first book I would wanna read over and over again. I've liked many books, but this is one I can truly relate to. And for all the readers who enjoy empathizing with one or the other characters in a novel this is a treat. But this is no five point someone where we read over the top fiascos happening like quotidian events with these three peculiar students. This is if I may say, real.
Click here to read the entire blog entry.
 
  -- Neha Mehta     
 

 
  Excerpted from Falstaff's blog:
It would have been easy to be too clever or too dramatic in writing this book, but it's a trap that Bagchi successfully avoids. And because he does the book has a certain basic authenticity, a sense of genuineness, of fundamental honesty. It's a quality that's rare enough to be worth admiring.
Click here to read the entire blog entry.
 
  -- Falstaff     
 

 
  hi bagchi, just read above average. thought it was very good. these are the reasons i liked it: first, there was something very disciplined about the narration of events, gestures, and language--the fact that the quotidian was portrayed without dramatization made it all the more poignant. like hemingway-meets-amitav ghosh. the pacing and structure was interesting. especially the way chronology was handled. i liked how you varied the speed with which information was revealed to the reader: the failure at the rock concert was built up to over several pages; on the other hand, the details about triangular sexual experimentation were delivered totally unexpectedly.

here's the thing one often finds with indian novels in english: they either (a) exoticize and over-explain in an attempt to appeal to a western audience, or (b) appeal to an indian english-speaking audience's nostalgic desire for stories about worlds they are already familiar with. i think you manage to avoid each of these extremes. If i was to look for a relative weakness in the novel, i would say that your description of physical locations was not as effective as the portraits of characters that arindam encounters over the years. i appreciate your decision to go for accurate rather than atmospheric location details, but i found myself losing track. actually, i'm curious, what image of mayur vihar do your non-indian friends end up with?
 
  -- karna basu     
 

 
  This book narrates a real world story. It goes in touch with the daily life without any overwhelming. The writing style was so vivid and makes us to walk back to our old school and college days with full of emotions. The incidents that occurs in technical institute life such as cumulative grade calculation, late nights, departmental rank, algorithm classes, guitar classes, drumming in a rock band, carrom in common room, outside petty shops, love in teen age are well explained with in-depth exploration. The language is simple, smooth, direct and narrative and this makes the readers enjoyable with slang English. The description of Diwali shows the author's view towards Indian festival culture. The author is strong enough to point out his views over stress and pressure of the students during exams and grading, especially IITians. The hero, the narrator of the story is really a hero. His hard work to get into IIT, his attitude towards his friends, his love towards his family, his enjoyments in rock shows, his inferiority complex with the algorithm professor are well portrayed. The problems associated with Indian education system such as ragging in early 1990's are well said and the mentalities of the students towards it are well depicted. The author also depicts the pressure of entrance exam in the teen ages. Further the deployment of the culture by the younger generations with the habit of smoking, drinking, getting girl friends makes us to understand the present Indian student's mentality. The mentality of SC/ST students and other's mentality towards them are well stated.

The author seems to have spontaneous flow of different languages with respect to the region. The common words such as fuchhas, JLT,KLS, satti (used to point out peoples who get seven grades) makes us as like hearing a voice narration by one of our fucchas (friends) sitting aside. Author keeps track of all his incidents and correlates it when ever and wherever required. The surplus use of IIT slang depicts that the author is also a typical IITian. The impression that the author created in the initial stages when Rindu, the hero started narrating story raised a lot up to 200 pages and then it got saturated. (The author is an algorithm professor, which might reflect this saturation at some optimal point). Thus it makes the readers to get a little disappointment in last parts. The author points out lot number of hidden aspects of top ranked technical institute as this might make the readers to misunderstand the scope. But as this was the author's first work, I believe that he will improve with alternatives in his forth coming works.

The author has accepted that it is a semi autobiography in one of his interviews. That is well reflected in the novel at many places by the depth on incidents in the story. Instead of describing an institution by its privileges, the author tries to portray the tiny credits to describe his host institute IIT. This adds garland to his works. In short, this novel proves that even a good technician can also provide spicy novels.
 
  -- K.Gunasekar, Research Scholar @ CSE/IIT Delhi.     
 

 
  Excerpted from Aspi's blog review.
The melancholy that informs the narrative is often yoked with droll humor. In one instance when Rindu's romantic notions of reading to his girlfriend have just been abruptly dispelled he tells us "The truth of what she said rang through my mind like the proof of a theorem." It's a style that is emblematic of the book itself - one that makes you want to chuckle and sigh in the same breath.
Read the entire blog entry here.
 
  -- Aspi     
 

 
 

Excerpted from Amitava Kumar's blog: 

Is it possible to review a book after having read only the first chapter?

While waiting for your answer, a quick word about Amitabha Bagchi's debut novel Above Average. The voice is part-Upamanyu Chatterjee and part-Amitav Ghosh. I have just started reading it and like it because of lines like these: "When we entered the train compartment in which Agrawals Classes had booked all of us, one of the Papas decided to ensure that we all sit together. 'Please bhaisahab,' he said, hectoring one passenger after another, 'adjust a little...

Click here to read the entire entry on the blog. 

Or here to read it on India Uncut.

 
  -- Amitava Kumar     
 

 
  Excerpt from Tabula Rasa's blog entry:
The second half of the book really came together for me. Maybe that was when the housing colony angst bits and the aspiring rock star angst bits gave way to the academic life angst bits. I found myself identifying / identifying with aspects of every other character described there -- from the wannabe "great theoretician" who went all practical in making his life's biggest decision to the guy who proudly ditched his grades in courses he considered non-essential to the acerbic squash-playing professor. Sure, there were threads that seemed to make no sense. And there was a little bit of maudlin stuff and a little bit of self-conscious sex and a little bit of gratuitous violence. But that's life, right? The last fifty pages I didn't want the book to end.
Click here to read the whole thing.
 
  -- Tabula Rasa     
 

 
  When I took the book from a Crossword rack and looked at the back cover I knew it was for me. Being an engineer, a hosteller, lead vocal of our college band, I simply found the reflection of my golden days in each and every page of this book. The style of writing brings the joy of reading. In this busy and hectic life, scheduled 8 to 8 dizzy hours everyday, "Above Average" worked like a magic stick of a fairy which took me and my back to those good,old,golden days of mine. It stimulates the hidden emotions of mind once again. I found myself laughing, nodding my head when I was comparing my college days to Amitabha's days, subconciously. The beauty of his writing is that he made us visualize the whole story while going through it. A must read for all the Engineers who spent four years in hostel, who laughed with his friend's laugh, who cried when his friend's snobbed, who'd always been there for the guys he care about.
 
  -- Sambit Chatterjee     
 

 
  Excerpted from Sariel's blog:
I liked its descriptions of life in Delhi, and its descriptions of human relationships. I had fun reading it, and while I was deeply disappointed that no aliens from outer space landed by page 70 of the book, I do recommend it.

Read the complete blog entry here.
 
  -- Sariel Har-Peled     
 

 
  To me a good writer is not merely one who wields words like a spear or one who manipulates sentences that look profound but are actually pure unadulterated crap. A 'real' writer is one who also has an insight into human emotions or in Arindam's words "Having to write about people meant having to leave oneself behind and enter into them." When I picked up Above Average on my weekly foray for new Authors I hardly had any expectations (these days even the so called 'big names' produce trash. It's like the books have been written by ghost writers). But, Surprise! Surprise! "Here is a 'Writer!'", I said to myself at 4 a.m. in the morning, stretching my cramped muscles. Couldn't put the book down! With a simple narrative style and surprisingly profound reflections, ("I took the striker in my hand� Which one am I? I asked. Black or white?" ), Mr. Bagchi spins a tale moving and amusing in parts.

Above Average made me think, reflect, remember, weep and laugh. It's a story anyone can identify with. I especially loved the last few pages! At the risk of sounding corny, :) I MUST say that every page is a portrait, painted with vivid colours which bring to life each character� each place. Like the adorable know-it-all, Bobby. Who hasn't has a Bobby in his/her life at some point or the other? What stayed in my mind long after I was done with the reading was... "... it was not enough to catch a liar in his lie, it was much more important to figure out whether he believed the lie himself." (How true! Sometime people spin suck 'real' tales; stories they convince themselves alter is real.) "It was an expression we saw often at IIT� we rarely discussed that emotion but w all knew what it meant" "Finally we would be back at the gate, finally the chattering... Diwali was over" "... this was where the knife had done its work. The disbelief � and visceral fear � I felt at that moment stayed with me for a long time." "Perhaps the single biggest lesson I got out of it was that it is a blessing to be understood, and that it is an even bigger blessing to be granted understanding." "That's a good score for you... He was right. It was a good score. For me." Way to go Mr. Bagchi! I don't know if this is autobiographical/semi-autobiographical. But double kudos to you if it is, because that's the hardest kind to write. One never knows when one is exaggerating or going overboard.

P.S. I want to go to Mayur Vihar someday :D
 
  -- Vidya     
 

 
  I finished reading the book a couple of days back and found it to be quite good. Though I wish you had a better editor to smoothen the jumps in time and space to make it a seamless narrative, what brought real pleasure to the reading process is your use of language. The language is so smooth and transparent that one often forgets one's reading, and the writing gets better with every chapter till we reach the last but one chapter where following a major event, the prose conjures a feeling of aching sadness. This event, I thought, was the main point of inflection in Arindam's charcter-progression curve, and the bleakness that sets in the rest of the narrative is what Arindam's disconnected, narcissitic self needed to get reconnected. To return. To belong.

When I started reading the book, I thought it was a novel about a man's struggle to remain average in a place where everyone wants to be above average. But by the time I had reached the last chapter revolving around the theme 'we are what we want' I was glad I read the book because Arindam's story is so much a story of young, ambitious, disconnected Indians drunk on the above tagline. And precisely for that reason might young English-speaking Indians find it interesting to plod through the shifting axes of time and space to read this memoiristic bildungsroman - because it is as much their story as it is yours. I couldn't help wondering though if you could have made the story sound less autobiographical.

A few pages into the book I was reminded of the narrative structure of The Shadow Lines and it was an uncanny coincidence to find you alluding to that book towards the end, perhaps by way of homage. But while The Shadow Lines uses memory as the interweaving thread of the various narrative strands and the mystery of Tridib's death as the central question of the story, I couldn't locate any such thread or question here that binds together and drives the narrative forward. Are you publishing it in other countries as well? If so, I would suggest you to re-edit it by shuffling the scenes differently if your publishers allow you to do so. Thanks for offering a pleasurable read in smooth, seamless language.
 
  -- Amit Chatterji     
 

 
  Hi Bagchi I picked up the book yesterday. Slept at 2:30 AM. I *had* to finish it off before the start of a new day. Now this is hardly going to be a review as I believe you need some kind of objectivity to be able to criticise a book. As someone who has virtually breathed the same air ( no I did not go to IIT, and that did not even seem necessary) the read was more like a fully paid nostalgia trip.

 I have spent my adoloscent years in Mayur Vihar and know exactly what Arindam means by "sexually charged evenings in the society". I have lived through the four years that Arindram spent at IIT by proxy ( If you know one guy from IIT Delhi, you will hear the same stories a zillion times, if you know 10 then you feel that you have also graduated from Kumaon!). I was on the route from Mayur Vihar to IIT to check the results in the summer of 1992 ( I don't remember is she said, "Its OK if you didn't make it!) I was at 'A', and this new data questions some axioms about folks there. The fact that I often put down the book and physically laughed as often that I did, the number of times I nodded my head at the acute social observations and the sheer speed at which I gulped it down - I am sure those are testimony to this being a great first book.

 I did feel at a few times that lesser mortals who do not know the topography and sociology of Delhi as well as you, might feel that you were over indulgent sometimes. I mean, even I struggled to understand where you were going with the underpass below the national highway :) I am in no position thought to say whether a little sharper editing was in order, because I did not mind the excesses at all. I just want to talk about a few moments I carry forward - for reasons not quite easy to explain - Irrespective of how much I combed, she would always make one final adjustment - She said - "I will take the next bus". - Since the account is so "autobiographic" (isnt it?) I hate to say this - I felt really sorry post Arindam relating his dream about the girl, very devastating :( In fact the lows were really dark and depressing. It just killed me, the part about the Pragati Maidan fair – and "I asked her if she will have friendship with me". Hmm. -

Walking around the cricket field in Mayur Vihar watching 30 guys on the field not knowing who belonged to which group. In fact the whole Society life is captured brilliantly. I feel I have known a Bobby or two in my life ! -

Asking for directions for C-Block (Hilarious!) - The first halt of the school bus. I don't know if I imagine this, but circa 1991, I remember a winter morning stopping a Matador the same way. - Actually there's so many others..I will probably re-read the book Can you please tell me where this Lekhu thing came from. Here I thought, I was the last word on Doordarshan. I have been dying to recall this Lekhu tune.

By the way, a little on the narrative. I really liked the unusual way you painted the canvas. When I reached the "Shadow Lines" piece, I stopped to wonder about the complex relationship between you, Above Average, Shadow Lines and Amitav Ghose. Its all a bit muddled up in my head right now but to put it simply, I wondered if this really happened at sometime, and was this the trigger for Baghchi to give literature the same pedestal as high mathematics. Was there actually a space-time grid? Was there one for Above Average? To come back to the narrative, the devices were neat though there were a couple of seemingly redundant cross refs. In a sense this is the way stream of consciousness should be, this is the way we look back at our past - a series of strokes leading to a different picture every time we attempt it. I am waiting to discuss this with someone to match notes on inspirations, and to sieve Fact from Fiction. I hope the book does well, though "Money is not everything" ! I have already recommended this to a few friends and I hope the word passes around. Good luck and bring on another one soon. Cheers Ajay PS – Why does Arindam not smoke? Does he or doesn't he? -
 
  -- Ajay Gupta     
 

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